
The Self-Recording Band Podcast
With Benedikt Hain and
Manel Espinosa Berenguer
Weekly no-bs episodes for self-recording musicians. Brought to you by full-time engineers and producers, working on hundreds of songs every year. No hype, no fluff. Not trying to make brands happy, not being paid for an opinion. Simply sharing what has worked for us and the artists we've worked with. Listen now and approach your next DIY recording project like you're a seasoned pro!
325: Why Your Best Music Might Still Be Ahead Of You – Paul Robb
After years away from serious recording, Paul Robb returned to songwriting, learned modern production from the ground up and started
324: Capturing The Band vs. Producing The Band – And Getting Better With Every Record | fourcitycolony
Stefan Thoms of fourcitycolony joins us to talk about self-recording a band, capturing live energy, learning from recording mistakes, working
323: What It Takes To Make A Record Feel Alive – Garreth Tackney
Producer and engineer Garreth Tackney wants records to sound polished without feeling manufactured. We talk about real drums, amps, room
322: This Music Producer Is Covering The Entire 400-Song Catalogue Of One Band – Samy Braysel
There are ambitious creative projects. And then there’s deciding to cover every original song ever released by one of Germany’s
321: Why Creative Constraints Can Make You A Better Songwriter & Producer – Bryan Hinerdeer
Most musicians think creativity needs freedom. No rules. No limits. No one telling you what to make. But sometimes the
320: From Second-Guessing Every Mix To Finishing & Releasing Songs – Thomas Hauenstein
A lot of musicians can write songs. A lot can record them too. But finishing them? That’s where things often
319: What Mastering Actually Does To Your Music – Maor Appelbaum
What does mastering actually do? For a lot of self-recording artists, the answer is something like: Make it louder. Add
318: What Artists Actually Need From A Modern Music Producer – Pablo Lopez Figueroa
What does a music producer actually do? For some artists, the answer is still: Record the band. Choose microphones. Make
317: Sounding Professional Doesn’t Mean Generic, Boring, Or “Overproduced” – Domi Schreiber (MyKungFu)
When musicians say they want their recordings to sound professional, what do they actually mean? Clear? Loud? Polished? Perfectly edited?
316: What Great Drummers Do Differently – Michi Dreilich
A great drum performance is not just accurate. It is not about playing the most impressive fill, staying perfectly on
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