#43: How Tight Is Tight Enough?

Organic, Natural Feel VS Distracting Mistakes The second most important thing (after the song itself and the arrangement) is the performance. The timing, intonation and vibe have to

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#42: Creative Recording Techniques – Unconventional Ways Of Creating And Capturing Unique, Exciting Sounds

Creative Recording Techniques – Unconventional Ways Of Creating And Capturing Unique, Exciting Sounds The show notes to this one are rather short. We just thought it would be

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#41: Backups And Archiving – Protect Your Art And Save Yourself Time, Frustration And Money

Backups And Archiving – Protect Your Art And Save Yourself Time, Frustration And Money Have you ever lost an important file, or worse, an entire project that you've

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#40 – Click vs No Click – Find the Best Approach For Your Project And Learn The Different Ways To Use A Click Track

Click vs No Click - Find the Best Approach For Your Project And Learn The Different Ways To Use A Click Track There was a time when a

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#39: Get Your Low End Right From The Start (It’s Not Just A Mixing Issue)

Get Your Low End Right From The Start (It's Not Just A Mixing Issue) “Low end” in music production is a very vague term that seems to leave

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#38: “What Should I Buy – Digital Mixer Or Dedicated Audio Interface?” (Plus Bonus Content: Get Featured On The Podcast)

"What Should I Buy - A Digital Mixer Or A Dedicated Audio Interface?" This is one of the most popular questions. People are wondering if a digital mixer

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#37: If You‘re About To Mix Your Next Record Yourself, Listen To This! You Might Be Hurting Your Band.

You can absolutely learn how to mix. We’ve done it, lots of people have done it.  ​The questions you need to ask yourself are: “What is my goal? Where

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#36: Make Better Decisions (And Better Sounding Records) With Proper, Intentional Gain Staging

Gain staging is one of the most overlooked topics and, when done wrong, most common problems in DIY productions. People either don't fully understand it, think it's boring,

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#34: „Should I Record Flat And Dry Tracks Or Compress And EQ On The Way In?“

"Should I Record Flat And Dry Tracks Or Compress And EQ On The Way In?“ This is a very common and valid question and we're not sure if

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#30: What Makes A Great Production? The Answers To: “How Do I Know If It Sounds Good?” And “What Should I Actually Listen For?”

"What Makes A Great Production?"  This is probably the most asked question of all. It's also one of the most important ones and, unfortunately, quite difficult to answer.

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