Category Archives for "Project Organization"

89: Level Up Your Production Quality Through Hiring (Remote) Session Musicians

89: Level Up Your Production Quality Through Hiring (Remote) Session Musicians

Hiring amazing session musicians can take your productions to the next level or even save sessions that would otherwise lead to very poor results.  

 Also, as a self-recording musician you might be in a perfect position to offer playing on other people's records! If you're a great player AND a skilled recording engineer, maybe a session musician career might be a path you'd want to explore.

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84: Organize Your Projects Like A Pro

What does your typical project layout look like? 

  • Which colors do you use on which tracks? 
  • What about the routing and your bus structure?
  • How do you make sure you never lose any takes?
  • How do you keep track of all the magic moments happening in a session, so that you can move on quickly and then reliably come back to find them?
  • How do you navigate your session quickly and switch between tasks?
  • What about going back to previous stages of the session, archiving files and accessing mixes, stems, masters, demos etc quickly and everywhere?
If you don't have a good answer to any of these questions, this episode is for you.

Listen now and learn to set up your session and workflow like a pro!

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74: Interview Episode With Grammy Nominated Producer And Mix Engineer Jacob Hansen

Jacob Hansen

Jacob Hansen Is Joining Us For This Episode!

Jacob has worked with some of the biggest names in metal and alternative music. He's produced and or mixed records for bands like Volbeat, Amaranthe, The Black Dahlia Murder, Heaven Shall Burn, Evergrey, Fleshgod Apocalypse, Primal Fear and many many more. 

We're getting to pick Jacob's brain and talk about

  • DIY recording
  • getting amazing guitar tones
  • mixing records remotely
  • reamping
  • the most common home studio pitfalls
  • guitar tuning
  • workflow and efficiency
  • communication
  • collaboration best practices
  • the future of (home) recording
  • evertune bridges
  • amp sims and Kempers

among many other things.


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Different Parts, Different Mics

Different Parts, Different Mics
Daily Blog - July 8th 2021

Who said you should use one microphone for the whole song, let alone the whole record? In fact, there's often a good reason to use different mics for different parts.

Different Parts, Different Mics
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#72: Speed Writing Challenge: Record A Brand-New Demo After Every Session

Today we have a challenge for you that will help you learn and grow faster than ever before:

Write a new song each jam. Record what you have at the end of the jam, no matter what. That's right: Schedule your next 5 practice/jam/writing sessions with your band or alone, then write a brand-new song after every session and record a demo version of it. 

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One Song At A Time…

Daily Blog - June 29th 2021

...is a good release strategy, but does it also make sense to work on one song at a time in the production, mixing and mastering process?

One Song At A Time…
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You Gotta Love Your DAW

Daily Blog - June 28th 2021

I don't care which DAW you use. What you use doesn't matter to me. But it definitely matters to you. And you should take that decision seriously.

You Gotta Love Your DAW
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A DI Signal, A Mic, One Stereo Track

Daily Blog - June 23nd 2021

You're probably recording each of your inputs to a mono track, right? Try this trick next time you're recording a DI signal with a mic.

A DI Signal, A Mic, One Stereo Track

Record The DI And The Mic To One Stereo Track

So you'll end up having the DI on one side and the mic on the other side. That seems weird, right? Hear me out, please.

If you now insert a plugin that let's you solo one side, or ideally blend (pan) between the two and then switch the plugin's output to mono, you'll be able to hear the DI, or the amp or a blend of the two, depending on how you set the plugin. 

It will all be mono, as usual, coming out of the middle, so you can use the channel pan knob, as always, to place it in the stereo field of your mix.

And in many DAWs it can all be done with stock plugins.

Why all of that?

Because you don't have to group tracks any longer to prevent editing mistakes, everything will stay perfectly in phase and you can easily switch back and forth or blend tracks that belong together in a much more manageable session. Less faders, less pan knobs, smaller chance for errors. 

Trust me, try to wrap your head around it and you'll love it.


PS: If you're looking for an amazing community to get feedback from and provide your own expertise for, check out The Self-Recording Band Community. It's 100% free and can be the growth accelerator you've been missing all the time.

PPS: Downloading one of our free guides and joining our email list is also a great way to connect with your peers, as we will invite you to events and keep you in the loop about what's going on in our community. We just had an amazing video meetup last weekend and together we helped 5 people improve their recordings, arrangements and mixes by listening and giving collective feedback live on the call. Join us now!

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