Stefan Thoms of fourcitycolony joins us to talk about self-recording a band, capturing live energy, learning from recording mistakes, working with outside mixers and getting noticeably better with
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Stefan Thoms of fourcitycolony joins us to talk about self-recording a band, capturing live energy, learning from recording mistakes, working with outside mixers and getting noticeably better with
Producer and engineer Garreth Tackney wants records to sound polished without feeling manufactured. We talk about real drums, amps, room sound, imperfections, modern production tools and the decisions
Most musicians think creativity needs freedom. No rules. No limits. No one telling you what to make. But sometimes the opposite is true. Sometimes the thing that makes
What does mastering actually do? For a lot of self-recording artists, the answer is something like: Make it louder. Add some polish. Make it ready for Spotify. And
When musicians say they want their recordings to sound professional, what do they actually mean? Clear? Loud? Polished? Perfectly edited? Similar to the biggest records in their genre?
Values When people think about making better records, they usually think about microphones, plugins, mixing consoles or expensive studios. Rarely do they think about sustainability. But for recording
What It Really Takes to Make a Professional Record Yourself Can you really produce an album from your home studio that stands alongside your favourite records? Martin Kreuzer
Most of the low end advice online sounds clean, structured, and logical. But it also makes a lot of mixes smaller. In this episode, Benedikt and Manel break
There’s more mixing advice online than ever. But here’s the real question: Is it coming from people who actually make records… or people who make content? You've hit a wall
This is the final episode of our full music production breakdown series. We’ve covered songwriting, pre-production, gear, sound checks and recording. Now we finish the record. You've hit