Ken Lewis is a Mixer & Producer with 114 gold records under his belt. On his credits list you'll find BTS, Kanye West, Taylor Swift, Drake, Bruno Mars
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180: Jill Zimmermann (Alice Cooper, July Talk, Three Days Grace, Alexisonfire)
We’re thrilled to introduce you to the brilliant audio engineer, Jill Zimmermann. In this episode, Jill shares her journey in the world of audio engineering and offers invaluable
150: We Answer Your Mixing Questions
To celebrate 150 episodes of The Self-Recording Band Podcast 🤯, we're sharing the replay of our Mixes Unpacked - Vol. 2 Q&A session with you! Book a free
145: Building Arrangements With The Mix In Mind (Part 2)
Part 2: Writing and arranging your songs properly so that they work, even raw, is essential.In this second part we dive in to arranging lead parts, vocals, synths
139: De-Essing & Sibilance Control Deep Dive
Sibilance in recordings needs to be controlled. The top end needs to be balanced and appropriate for the song. Period. Book a free feedback call with Benedikt, the host
133: The Vocal Effects We Use In Our Recording And Mixing Templates
Last week we talked about the importance of a good headphone mix for a singer. And that included using reverb and delay to make the vocals sound good
132: Make Your Singer Sound & Feel Like A Star – The Perfect Headphone Mix
This episode is about going the extra mile to create the perfect headphone mix to make sure your vocalist feels as good as possible when its time to
130: How To Add Energy And Vibe Transparently With Parallel Compression
Parallel compression is one of those advanced techniques, similar to multi-band compression, side-chaining, etc. that sound like a magic bullet or secret ingredient to pro mixes.Book a free
125: How To Find The Right Vocal Mic
In this episode we’re showing you what to look for in a vocal mic and how to find the right mic for your room and voice. Picking the
122: Pitch Is Key – Avoid The Amateur “Out-Of-Tune” Sound With These 10 Tuning & Intonation Hacks
Out-of-tune vocals, guitars, bass or really any instrument are super common in amateur productions. It's a dead give away. Often it's subtle, sometimes it's so bad that it makes