Sibilance in recordings needs to be controlled. The top end needs to be balanced and appropriate for the song. Period. Book a free feedback call with Benedikt, the host
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138: Reviving The “Australian Rock Songwriter Sound” From A Home Studio – With Collidastate (Interview/Case Study)
On this Episode I'm talking to Graham and James from the Australian Rock Duo Collidastate.Book a free feedback call with Benedikt, the host of the show!Yes, they are
135: How To Soundproof Your Studio – With Wilson Harwood
Wilson Harwood built his dream home recording studio in his backyard. Now he wants to teach you how to build a soundproof recording studio.Book a free feedback call
134: Who’s Your Audience?
When we ask "who's your audience?", most people don’t have a great answer. And many think that it doesn’t matter, because they just make the music they want
133: The Vocal Effects We Use In Our Recording And Mixing Templates
Last week we talked about the importance of a good headphone mix for a singer. And that included using reverb and delay to make the vocals sound good
131: Live Recording VS Overdubs
Recording a band can be done by capturing a live performance where everybody (or parts of the band) is playing together in real time, or by recording overdubs,
129: Master File Formats – What You (Don’t) Need To Worry About
Do you need different files for different streaming services and physical mediums or is it one master to rule them all?Book a free feedback call with Benedikt, the
128: Producing A Dark Pop Song (Behind The Scenes) – With Chris Eriksen (Skov.)
We're super stoked to have Chris Eriksen as our guest on this week's episode!Book a free feedback call with Benedikt, the host of the show!Chris is the artist
127: Let’s Talk About Reaper (or at least, that was the plan… :)) – With Myk Robinson
We're super stoked to have Myk Robinson as our guest on this week's episode! Book a free feedback call with Benedikt, the host of the show! Myk is
123: Your Sick Guitar Tone Could Ruin Your Mix
It doesn’t matter what your guitar (or any instrument) sounds like on its own, it’s about whether or not it serves the song and fits into the perfect