132: Make Your Singer Sound & Feel Like A Star – The Perfect Headphone Mix

This episode is about going the extra mile to create the perfect headphone mix to make sure your vocalist feels as good as possible when its time to

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130: How To Add Energy And Vibe Transparently With Parallel Compression

Parallel compression is one of those advanced techniques, similar to multi-band compression, side-chaining, etc. that sound like a magic bullet or secret ingredient to pro mixes.Book a free

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129: Master File Formats – What You (Don’t) Need To Worry About

Do you need different files for different streaming services and physical mediums or is it one master to rule them all?Book a free feedback call with Benedikt, the

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126: How To Prepare And Export MIDI Files For Mixing

If you want to make your life easier when mixing, give yourself more quickly available options in the mix without headaches and tedious setup work, or make sure

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124: When And How To Use Multiband Compression

Multiband compression is very powerful, but also pretty dangerous. Most of the time you don’t need it and you definitely shouldn’t be using it on everything. But once you

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123: Your Sick Guitar Tone Could Ruin Your Mix

It doesn’t matter what your guitar (or any instrument) sounds like on its own, it’s about whether or not it serves the song and fits into the perfect

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120: These Are Our Mix Bus Chains

Last week we explained the concept of mixing into a mix bus chain and how to get the most from applying mix bus processing. This week we’re giving

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119: Why We Mix Into A Mix Bus Chain (This Is Not Mastering!)

On this episode we explain the concept of a mix bus chain, tell you why we use one and compare mixing into a mix bus chain vs applying mix

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115: Need More Low End? How To Fix A Thin Sounding Bass Recording

Have you ever fought a bass guitar (or any bass instrument) in your mix that was just not big enough?Here's what you can do to compensate for a

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109: Do You Have A Mixing Process? Here’s How We Approach Our Mixes.

Are you feeling overwhelmed every time you're starting a mix? Do you go back and forth a lot, constantly questioning your decisions?For a lot of self-recording artists the

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