In this episode, we're going to take a deep dive into the anatomy of a rock bass guitar tone. We'll explore the different components that make up the
- Home
- |
- Archives: General
153: Record And Mix Anywhere – The Ultimate Headphone Setup
Many people record and mix on headphones, because most rooms suck, treatment and speakers are expensive. And because mobile recording or mixing rigs are becoming more and more
152: From Demo Quality To Pro Sounding Releases – Greg Bohemen (Interview/Case Study)
I sat down with one of my favorite coaching students, Greg Bohemen. Book a free feedback call with Benedikt, the host of the show! Greg is a musician
151: Why Your Reverbs Don’t Work
If you're struggling with getting your reverbs to sit right, or you feel like you're not quite getting the effect you want, listen to this episode. Book a
150: We Answer Your Mixing Questions
To celebrate 150 episodes of The Self-Recording Band Podcast 🤯, we're sharing the replay of our Mixes Unpacked - Vol. 2 Q&A session with you! Book a free
149: Together Is Better – The Value Of Masterminds, Events And Being An Active Part Of The Music Community
Are you a cave dweller? A lone studio wolf, always figuring things out on your own? Too many musicians, engineers and creatives in general, are working and creating
148: How To Make Your DIY-Productions Stand Out In 2023 And Beyond
2022 is coming to an end and so we want to take a look at the music production landscape and how it's going to evolve in 2023 and
147: How To Use One Shot Drum Samples
On this show, we always talk about how to blend drum samples transparently with your real kit or how to program natural sounding MIDI drums. But what about
146: Standout Mixes – The DIY Musician’s Guide To Exciting Mixes That Stand Out And Connect
"The pros never don’t do the basics." I love this quote, because reminds me every day that I shouldn't skip essential steps in the mixing process, even though
145: Building Arrangements With The Mix In Mind (Part 2)
Part 2: Writing and arranging your songs properly so that they work, even raw, is essential. In this second part we dive in to arranging lead parts, vocals,