Have you ever asked your mixing engineer to send you the finished, mixed multitracks? Or did you try and export every single track after mixing, so you can
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Have you ever asked your mixing engineer to send you the finished, mixed multitracks? Or did you try and export every single track after mixing, so you can
I've built a page that offers simple explanations for the most common terms in audio, as well as all the common features and functions found on recording studio
I just finished Rick Rubin's book "The Creative Act" *. A fascinating and very inspiring read that made me want to talk about it on the podcast, because there
I sat down with Flo Reithofer, a producer, engineer and musician from Austria. He was one of the first people to join the Self-Recording Syndicate and I've been
I sat down with Clint & Robin, two amazingly talented producers, engineers and musicians from Hamburg, Germany. I've been working with them for about a year now, helping
Listen to this episode if you want to know what's keeping your recordings from sounding professional. Book a free feedback call with Benedikt, the host of the show!
Lucas McKinnon is an artist, multi-instrumentalist, session drummer, record producer, owner of Silverside Sound (a beautiful recording studio) and inviting him to the podcast was long overdue! So
As a follow-up to last week's episode on bus processing, we want to introduce and explore the idea of top-down mixing today. Top-down mixing can make your mixing
In the episode on piano recordings and sparse arrangements we briefly talked about using bus processing to glue things together and keep things a little more organic. Today
I got a message from one of our coaching students and it really made me think. This is what he wrote: "I just wanted to say thank you.