Writing and arranging your songs properly so that they work, even raw, is essential. This will make mixing easier, more fun and way faster. Book a free feedback
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143: Make Better Records Faster By Asking Better Questions
There are no dumb questions. Period. And it’s never a problem if you don’t know something. But that doesn't mean you can't figure it on your own, or
142: How To Identify Time Signatures And Note Values (Every Producer Needs To Know This) – With Thomas Krottenthaler
We got the following question from our coaching students: “How do you identify (drum) time signatures and note values? I want to get better and faster at figuring
141: Get The Most Out Of The Plugins You Have (Challenge)
We've said it before on the show and we'll say it again: It’s not about the tools you have, it’s about your ability to get the most out
140: Don’t Believe These 5 Myths About Music Production
Let's debunk 5 Music Production Myths That We're still hearing about all the time. Book a free feedback call with Benedikt, the host of the show! Almost daily
139: De-Essing & Sibilance Control Deep Dive
Sibilance in recordings needs to be controlled. The top end needs to be balanced and appropriate for the song. Period. Book a free feedback call with Benedikt, the
138: Reviving The “Australian Rock Songwriter Sound” From A Home Studio – With Collidastate (Interview/Case Study)
On this Episode I'm talking to Graham and James from the Australian Rock Duo Collidastate. Book a free feedback call with Benedikt, the host of the show! Yes,
135: How To Soundproof Your Studio – With Wilson Harwood
Wilson Harwood built his dream home recording studio in his backyard. Now he wants to teach you how to build a soundproof recording studio. Book a free feedback
134: Who’s Your Audience?
When we ask "who's your audience?", most people don’t have a great answer. And many think that it doesn’t matter, because they just make the music they want
133: The Vocal Effects We Use In Our Recording And Mixing Templates
Last week we talked about the importance of a good headphone mix for a singer. And that included using reverb and delay to make the vocals sound good