We got the following question from our coaching students:“How do you identify (drum) time signatures and note values? I want to get better and faster at figuring this
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138: Reviving The “Australian Rock Songwriter Sound” From A Home Studio – With Collidastate (Interview/Case Study)
On this Episode I'm talking to Graham and James from the Australian Rock Duo Collidastate.Book a free feedback call with Benedikt, the host of the show!Yes, they are
127: Let’s Talk About Reaper (or at least, that was the plan… :)) – With Myk Robinson
We're super stoked to have Myk Robinson as our guest on this week's episode! Book a free feedback call with Benedikt, the host of the show! Myk is
123: Your Sick Guitar Tone Could Ruin Your Mix
It doesn’t matter what your guitar (or any instrument) sounds like on its own, it’s about whether or not it serves the song and fits into the perfect
118: Trevor Reilly (A Wilhelm Scream) – Behind The Scenes Of Making A Professional DIY Record
My guest on this episode is Trevor Reilly, the guitar player, (co-)producer/recording engineer and main songwriter in the band A Wilhelm Scream. I got to nerd out with
114: Do You Really Know Your Guitar Cab (or IRs)?
If you know the ins and outs of recording a cab, you can pick and position your mics or choose the right IRs quickly and with confidence.A lot
113: Your Guitar And Bass Tone Is In Your Hands
When it comes to guitar tone, we’re always talking about strings, setup, amps etc. This time we address the playing technique and specifically how it affects the sound
112: What You Need BEFORE Releasing New Music | Generating Release Assets
This week we are sharing an episode of Malcom's other podcast "Your Band Sucks At Business" because we really care about your art and therefore want to help
111: How To Make Drum Samples “Invisible” In The Mix And Blend Perfectly With Your Real Kit
This is something we get asked all the time, something we see people fail at all the time and something we think we're both pretty good at:Using drum
110: The Real Reason For Why You Should Do Pre-Production
What exactly are you doing when you're "demoing" or doing pre-production? Are you capturing ideas? Working on the songs? Refining the arrangements? Recording scratch tracks?All of that is fine