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211: Multitrack Recorder VS Computer + DAW
Surprisingly, some of our subscribers are telling us that they are using standalone multitrack recorders instead of computers. We actually get these kinds of messages pretty regularly.Apply for
206: A.I. Talk: The Tools We’re Using, Thoughts On The Future Of A.I. In Music Production, And Why We’re Not Afraid Of It
This is a purely speculative episode on the current state and future of A.I. (artificial intelligence) in (rock) music. Apply for our coaching program and book a free clarity
205: Get Better Takes Faster Through Comping On The Fly
Have you ever been looking forward to having to go through 637 takes, trying to find the good parts after the recording session is done? Me neither. How
202: The Three Ways To Make An Outstanding Record
It's the end of the year - time to do some planning and thinking about our goals as musicians and (DIY) producers.Apply for our coaching program and book
200: Mario Radetzky on producing Blackout Problems – “Riot” and using Ableton Live to blend rock and electronic production elements
Mario Radetzky is the vocalist and guitar player for Alt-Rock band Blackout Problems and he recently co-produced their forthcoming album "Riot". Book a free feedback call with Benedikt, the
199: Producing Brootal Metal Records with Kristian Kohle (Benighted, Powerwolf, Aborted, Crematory)
This week, we're honored to be able to sit down with the one and only Kristian Kohle. 🤯
198: Walk Into Any Recording Studio & Make It Work
In failing to prepare you are preparing to fail. Or at least in this context, you are likely gonna give yourself a few problems. Book a free feedback call
188: Songwriter Dewi Thompson on Leveling Up His Audio Skills in The Self Recording Syndicate (Case Study)
A special episode this week as Benedikt sits down with Self-Recording Syndicate graduate Dewi Thompson.
187: Are You Using Mix Bus Compression?
Are you mixing into a compressor? I mean mixing with a compressor on your mix bus from the beginning and not just slapping a compressor on at the