On this episode we explain the concept of a mix bus chain, tell you why we use one and compare mixing into a mix bus chain vs applying mix
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118: Trevor Reilly (A Wilhelm Scream) – Behind The Scenes Of Making A Professional DIY Record
My guest on this episode is Trevor Reilly, the guitar player, (co-)producer/recording engineer and main songwriter in the band A Wilhelm Scream. I got to nerd out with
114: Do You Really Know Your Guitar Cab (or IRs)?
If you know the ins and outs of recording a cab, you can pick and position your mics or choose the right IRs quickly and with confidence.A lot
113: Your Guitar And Bass Tone Is In Your Hands
When it comes to guitar tone, we’re always talking about strings, setup, amps etc. This time we address the playing technique and specifically how it affects the sound
112: What You Need BEFORE Releasing New Music | Generating Release Assets
This week we are sharing an episode of Malcom's other podcast "Your Band Sucks At Business" because we really care about your art and therefore want to help
111: How To Make Drum Samples “Invisible” In The Mix And Blend Perfectly With Your Real Kit
This is something we get asked all the time, something we see people fail at all the time and something we think we're both pretty good at:Using drum
110: The Real Reason For Why You Should Do Pre-Production
What exactly are you doing when you're "demoing" or doing pre-production? Are you capturing ideas? Working on the songs? Refining the arrangements? Recording scratch tracks?All of that is fine
109: Do You Have A Mixing Process? Here’s How We Approach Our Mixes.
Are you feeling overwhelmed every time you're starting a mix? Do you go back and forth a lot, constantly questioning your decisions?For a lot of self-recording artists the
108: Editing Q&A – How To Hear Performance Problems And Solve Them
We got a listener request (thank you Stephan!) with some great questions on editing, so we did this episode on how to hear performance problems and solve them.Stephan
104: Building A Recording Chain To Capture Better And Bolder Tracks – Without Expensive Analog Gear
We show you how to use software (your plugins) like a hardware chain, so you can commit on the way in or track both processed/clean signals without expensive