"Have y’all talked in detail about using impulse responses?" This question came up in our Facebook community (which you should absolutely join) and as we thought about it,
- Home
- |
- Category: Guitar & Bass
#47: Guitar Setup And String Choice With Diego Casillas
Guitar Setup And String Choice With Diego CasillasIf you've listened to any of our episodes, you know how important new strings, proper tuning and guitar setup in general
#33: Bass Amp vs DI – How To Choose The Right Approach And Gear For Capturing Your Dream Bass Tone
There are a lot of different ways to capture a bass amp (or bass guitar in general) and to dial in a great bass tone. And there are
#32: How To Make Amp Sims And Kemper Profiles Work (They Can Sound Just As Good As “Real” Amps)
"I've tried using amp sims but they just don't sound like the real thing." Is this you? Do you feel like amp sims are great for writing, but you'd
#22: Guitar Tuning And Intonation Deep Dive
One of the most common issues we run into, when we get tracks from self-recording bands, are tuning issues. And out of tune guitar and bass tracks are
#20: How To Record Acoustic Guitar (…And Make It Sound Great On Its Own Or In A Full Band Arrangement)
An acoustic guitar is a complex thing to record and there's so many things that can go wrong.The instrument, the strings, the performance, the room, the microphones and
#18: How DI Tracks Can Save Your Guitar Recordings
When you record a guitar or bass, you should always record a clean DI signal in addition to your amp (or amp sim, Kemper, etc.)There are plenty of
#13: Understanding The Controls On Your Recording Gear
Confused by all the switches, buttons and knobs on your recording gear? "What does this knob on my recording gear actually do and how does this all work?
#12: Bass Tone Is More Than Just Low End
Bass Tone is not just about getting the low end right. The bass has to cut through the mix and we need a bass tone that makes it
How To Get Your Low End Right (BEFORE Mixing)
Getting the low end right is one of the most important and most difficult things in music production. Not because it’s technically hard to do, but because it