92: Q&A – Priorities, Committing, Gear, Live Recording & Snare Sound

November 2021 - Q&A - Part 2!These are some of the questions and struggles from our community members that we've covered on the show:"If I’m recording at home,

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91: Q&A – Mixing Workflow, Headphones, Vocals, Drums & DIY Mastering

It's time for another Q&A episode!These are some of the questions and struggles from our community members that we've covered on the show:"How do you know what decisions

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89: Level Up Your Production Quality Through Hiring (Remote) Session Musicians

Hiring amazing session musicians can take your productions to the next level or even save sessions that would otherwise lead to very poor results.   Also, as a self-recording

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74: Interview Episode With Grammy Nominated Producer And Mix Engineer Jacob Hansen

Jacob Hansen Is Joining Us For This Episode! Jacob has worked with some of the biggest names in metal and alternative music. He's produced and or mixed records

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#73: The 5 Key Ingredients Of A Big And Punchy Drum Sound

In this episode we talk about the critical five things you need to get right if you want your drum sound to be "professional". And by "professional" we

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The “Boom” And The “Knock”

Daily Blog - June 22nd 2021The low end of a kick drum can make a song feel big, loose, tight, fast or slow. Finding the right frequency balance

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Presets & “Fully Mixed” Sample Packs

Daily Blog - June 14th 2021In our podcast and other places I've said a couple of times that you have to be careful with certain processed and widely

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As Few Mics As Possible

Daily Blog - May 26th 2021I love a great challenge. And one of the best challenges you can try for yourself is to record a complex instrument, like

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Distort Everything

Daily Blog - May 19th 2021I received this amazing sticker from Scott Evans (antisleep.com) and it's right in front of me everyday. My daily reminder to have fun

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Drum Room Mics And Low End – The Fine Line Between “Huge” and “Muddy”

Daily Blog - May 6th 2021If a song is fast, technical and supposed to be tight, the low end in drum room mics often is the enemy. It

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