Daily Blog - April 29th 2021While I believe you should be able to get great tones from using just one mic on any mono source (guitar cabs, snare
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Create Your Own Drum Samples For A Unique, Authentic Drum Sound
Daily Blog - April 26th 2021If you want authentic, "real" sounding drums but your recording needs a little help to sound consistent, punchy and professional (very common, especially
#55: The Complete Step-By-Step System To Make A Killer Record As A Self-Recording Band
Join us, as we walk you through the complete, proven, step-by-step system to capture exciting recordings and deliver pro-quality, mix-ready files to your mixing engineer.Without the headache, the
#35: Drum Overheads Are Not Just Cymbal Mics
Many people think of drum overheads as “cymbal mics” - but they are (or can be) much more than that.Overheads are super important for the overall drum sound!
#29: “How Do You Develop A Unique Drum Sound?” (We Got This Interesting Question – So We Answered)
We got a well thought-out, long email from Rollo, one of our email subscribers, asking a great question: "How Do You Develop A Unique Drum Sound?"This one got
#19: How To Record Drums With Only Four Mics
You don't need a complex, expensive setup to record modern, punchy drums. In a typical home recording situation, what we can do is often limited by the amount
#9: Why Drum Samples Might Even Sound MORE NATURAL Than Your “Real Drums”
Using triggers and drum samples is a no-no? You want to keep your "real, natural drums" at all cost?You might want to think twice about that. Because drum
#8: How To Make Programmed Drums Sound Big AND Natural
"Ok, so I know that MIDI drums are an option. But...how do I actually program drums the "right" way?"Programmed drums sound fake to you? You love the control,
#7: MIDI Drums Or “Real Drums” – What’s The Better Option For Your Record?
Not sure whether you should record your drum kit, or program MIDI drums for your record?Are you afraid MIDI drums will sound fake? Wondering if you can really
How To Get Your Low End Right (BEFORE Mixing)
Getting the low end right is one of the most important and most difficult things in music production. Not because it’s technically hard to do, but because it