Daily Blog - May 6th 2021 If a song is fast, technical and supposed to be tight, the low end in drum room mics often is the enemy.
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Daily Blog - May 6th 2021 If a song is fast, technical and supposed to be tight, the low end in drum room mics often is the enemy.
Daily Blog - April 29th 2021 While I believe you should be able to get great tones from using just one mic on any mono source (guitar cabs,
Daily Blog - April 26th 2021 If you want authentic, "real" sounding drums but your recording needs a little help to sound consistent, punchy and professional (very common,
Join us, as we walk you through the complete, proven, step-by-step system to capture exciting recordings and deliver pro-quality, mix-ready files to your mixing engineer. Without the headache,
Many people think of drum overheads as “cymbal mics” - but they are (or can be) much more than that. Overheads are super important for the overall drum
We got a well thought-out, long email from Rollo, one of our email subscribers, asking a great question: "How Do You Develop A Unique Drum Sound?" This one
You don't need a complex, expensive setup to record modern, punchy drums. In a typical home recording situation, what we can do is often limited by the amount
Using triggers and drum samples is a no-no? You want to keep your "real, natural drums" at all cost? You might want to think twice about that. Because
"Ok, so I know that MIDI drums are an option. But...how do I actually program drums the "right" way?" Programmed drums sound fake to you? You love the
Not sure whether you should record your drum kit, or program MIDI drums for your record? Are you afraid MIDI drums will sound fake? Wondering if you can